THE RITUALISTIC LIFE and MURDER of PRINCE:
OUTTAKE: "Prince, The LM-1 Drum Computer, and the 1984 Agenda"
Released on Patreon 1/26/2018
Run Time: 50 MIN
-"The Ritualistic Life and Murder of Prince" series is available to Patrons on the "Sign O' The Times" tier of support and higher on the Spooky Electric XPOSED Films Patreon channel.
This OUTTAKE continues the discussion we began in the last OUTTAKE , “WB Records, MK Ultra, Laurel Canyon, The LA Music Enclaves and Prince” , since it expands upon the same information on how these L.A. music business cabals have perfected MK Ultra mind control through their connections to the CIA and military.
Those in higher places, have conducted experiments on artists, and have developed “technologies” to control artists in the music business, using them to promote a “new world” agenda to the masses.
Prince’s Mind Control and Electronics
We have been discussing Prince’s mind control, that he was subjected to in the first “7” years of his career, in order to propel him towards the pinnacle of his career: “Purple Rain”.
Starting in the “Dirty Mind” and “Controversy” years, Prince was being taught how to use much of the electronic technology being used to “mind control” listeners through music.
At the same time, Prince was being controlled by the handlers, managers, and label staff around him, thus ensuring that what Prince was putting out through the music was in line with their agenda.
This mind control didn’t just happen overnight as we may often imagine. Mind control of artists (and even on a broad societal level), happens in layers, and are often cloaked as “treatments”, “philosophies”, or “beliefs” in order to get a subject’s buy-in.
In Prince’s case, he was taught by those around him, “rituals” or “methods”, or ways to “give a more stellar performance”, get over nervousness on stage, or to bring out inner creativity.
When you are an artist in the music business, and you have “handlers” around you, lauded as experts in the field (Like Howard Bloom, Prince’s PR Rep we discussed in SEGMENT 4: “The Origins of Mind Control and Indoctrination of Prince”, you listen to their advice, and follow the “rituals”, suggestions, and practices; not knowing the true evil -program” or intent behind it.
It wasn’t until the mind control programming break of 1985 did Prince realize the implications of what had been going on around him, and what these people were doing.
From that point on, Prince began to “counter-program” or “counter-code” the agenda, culminating in him breaking the contract with Warner Brothers and leaving the label. We will see this all unfold in upcoming episodes of this Part 4 of “The Ritualistic Life and Murder of Prince” series.
This is how we are all “programmed” on a mass scale as well. You see, if “the powers that were” came right out and TOLD you what they were really doing, none of us would accept it or play along. So we are only told “half truths” or are just plain lied to, in order for us to accept what we are being told.
This is what happens to many artists in the music business as well.
In this OUTTAKE, we will take a look at some of the music technology made available to Prince, that he used to create his signature sound, starting with the “1999” album, the “Linn LM-1 Drum Computer” invented by Roger Linn.
Roger Linn and the “Linn LM-1 Drum Computer”
Roger Linn toured as a guitarist with pianist Leon Russell in the 1970’s, and had a slight level of success as a songwriter, co-writing songs with Eric Clapton in 1979, as well as many others.
In the beginning, Roger Linn was an industrial electronic designer of mainly drum machines. Trained in BASIC and other computer programming methods, Roger Linn was a professional guitarist in California in 1978, when he began developing the "Linn LM-1 Drum Computer" for personal use in his home studio.
So, Roger Linn is linked in with Warner Brothers Records and label artists at this time in the 1970’s when the programming and controlling of artists began to be a common tool used by record labels.
In 1979 after developing his first Linn drum computer, he founded Moffett-Linn Electronics Company with his partner Alex Moffett, to further develop drum computers producing drum beats from digital samples. Moffett would leave the company in 1982, and the company would be called Linn Electronics.
In 1980. Roger Linn released the world’s first electronic drum machine that used electronic samples from a real live drum kit: The "Linn LM-1 Drum Computer".
Linn would take this prototype machine housed in a cardboard box to parties or recording sessions to market it to musicians including: Peter Gabriel, Fleetwood Mac, and Stevie Wonder who bought one of the first prototype models. As did Prince.
Somewhere between 500-750 original "Linn LM 1" drum computers were built and sold between 1980 and 1983, until its successor Linn Drum was released.
Prince and the “prototype” model of the "Linn LM-1 Drum Computer"
Keep in mind, the first 35 units of the "Linn LM-1 Drum Computer" were assembled and built by hand by Roger Linn in his own home, before production was taken over by a manufacturer. The 1st 10 of these models had “exclusive features” present only on those 10 models.
This is what attracted Prince to the original prototype model of the machine, that he continued to use throughout his career, never updating it or using a new model of drum machine.
Prince liked how the original prototype models had 13 channel mixer and inputs where other studio equipment or instruments could be run through the machine, creating new and unique sounds.
We will see in upcoming episodes, how Prince used this feature on virtually every song on the “1999” and “Purple Rain” albums.
We discuss Prince's use of these electronic tools, that he used differently than was intended to create a whole other electronic instrument in the process.
Linn Drum Machines become the “sound of the 1980’s”
Ultimately, The "Linn LM-1", "Linn Drum", and "Linn 9000" models became synonymous with the sound of the music of the 1980’s.
Linn Electronics went out of business in 1986, and was purchased by Forat Electronics.
In 2011, Roger Linn was awarded a Special Merit Grammy Award for “Lifetime Technical Achievement”, in recognition of his many technical contributions to the music industry. Remember what we have discussed in past episodes, that Warner Brothers Records, The Recording Academy, and The Grammys are all the same entity. And The Grammys often gives out honorary Grammys to reward minions and pawns that help them carry out their agendas. Review Part 2: Prince, Warner Brothers Records and the Freemasonic, SLAVE Contract” to understand why.
In this OUTTAKE, we also discuss the Oberheim synthesizers, invented by Tom Oberheim, an associate of Roger Linn, also a central aspect of Prince’s sound in the 1980’s.
“The Dead Presidents' Society”
Remeber back to the last episode “OUTTAKE: WB Records, MK Ultra, Laurel Canyon, The LA Music Enclaves and Prince”, we discussed how MK Ultra mind control has been used for decades within, the Los Angeles music industry, to control music artists, and their influence on the youth and society through their music.
Within these evil cabals, there are psychologists and scientists that understand music’s effects on the brain, and how sound and frequencies can be manipulated to program and control artists and the masses.
Roger Linn is a member of the “Dead Presidents’ Society”, an informal secret society of many of the most prominent electronic music innovators of the 20th century. They are also “highly connected” musical scientists. Not only are these people inventors of many integral musical technologies, but are connected with many of the most prominent corporations that produce the technology, and to institutions of electronic music academia.
There is a page dedicated to the members of “The Dead Presidents Society” on Roger Linn’s website : rogerlinndesign.com.
Here are some notes and highlights from the members’ bios posted on the web page. (There is more detailed analysis and discussion of these people and their bios in the video.)
Film and Video effects artist
Inventor of 100 through 700 series synthesizers, Marimba Lumina, Thunder, Lightening, Moog Piano Bar, and newly released Series 200E.
Roger Linn’s wife, Project Manager at Apple. Also, had a hand in designing and programming many of Roger Linn Design’s products.
Inventor of electronic music products, including the Linn LM-1 Drum Computer (the first digital drum machine), The Akai MKC Drum, and the AdrenaLinn guitar processor.
Mathematician and DSP expert. Lover of electronic music devices.
Founder of Oberheim Electronics and Marion Systems. Creator of some of the most used and recorded analog synthesizers of the 1970’s and 1980’s.
Audio research scientist, Pixar Animation Studios.
Inventor of FM Synthesis (the foundation of Yamaha’s famous DX7 Synthesizers). Former head of Stanford’s Computer Music School.
Sequential Circuits founder, creator of Prophet 5 Synthesizers and MIDI Technology.
(Deceased) Father of Electronic Music, developed the fundamental algorithms for computer music synthesis for Bell Laboratories in the 1950’s.
(Deceased) Director and Co-Founder of the Center for New Music and Audio Technologies at UC Berkley Computer Music School.
In the next episodes of “The Ritualistic Life and Murder of Prince” series, we head into the “1999” era, and learn how the programming and use of these complex musical tools, played into the evil agenda the label planned for Prince, until the revelations of the first mind control break of 1985.
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